I've been working diligently for the last year on the who, what, where & when of my project Process Works but with our performances at the Sanford Consortium quickly approaching, I think it's time to return to my "why". Why do I want to bring dance into the workplace? Why do I think contemporary dance could have a relationship to science and technology...let alone corporate businesses as a whole? Why do I think dance should matter to the rest of the world?
Big questions...I think this is going to be a multiple part answer and a multiple part blog post - so here is why #1:
Dear Ol' Dad
When giving a post performance talk for my thesis dance piece Space Between, I explained the details of the dance and how each night we created the dance new with a certain amount of improvisation. My father raised his hand and asked "Why Improvisation". Knowing that he came from many years of watching me perform more traditional dance, I assumed that his preference was the structure he was used to. I explained to the audience that I long for awareness of the present moment both in performance and in life. Improvisation is not a “style” of dance but a way of being in the world. A way of never allowing life to become “fixed” or “stale”. A reminder to listen to what my intuition is asking of me at every given moment.
The next day, my dad said to me, "You do what I do".
Wait - what?! My dad is an engineer. He's supposed to be a lover of systems and strict protocol. But what I found out was that engrained in my father's philosophy of engineering, is the importance of constantly checking in with these systems to ensure they still make sense within the current circumstances. His philosophy reminds us that we are human and things change or at the very least shift. He felt supported by the work I was making. No more auto-pilot. No more blindly following a model that is no longer relevant or interesting. With even a small bit of attention on the present moment, our ability to respond to the specific needs of this moment becomes possible.
So - WOW - if my dad could relate to my work at this level, are there others? Are there pockets of individuals out there who would feel supported in their work by becoming aware of our work? If so, I look forward to finding and building on these connections.
Wednesday, October 7, 2015
Monday, September 14, 2015
Process Works @ The Sanford Consortium
Process Works @ Bella Vista Social Club at the Sanford Consortium - Oct. 15, Oct. 29, & Nov. 12 @ lunchtime!
As the culminating event for my Creative Catalyst Fellowship, this project brings live contemporary dance performance directly to individuals working in the fields of science and technology. Choreographed by (me) Alicia Peterson Baskel and performed by Wallpaper Performance Company, Process Works aims to support creativity, collaboration, and innovation in the workplace.
Process Works is funded by the Creative Catalyst Fund at The San Diego Foundation and supported by Mojalet Dance Collective.
Friday, September 11, 2015
A Performative Moment - Ocean View
I sit in my car. Parked on a road that looks straight at the ocean. At first all I see is what I already know about the ocean. Blue/Grey color, constant motion, splashing. Breathe in…breathe out. I see surfers' torsos in a collective on the far right side of this tapestry. This is where I'm supposed to be looking. I've seen it now, so I open my book to read…
But I quickly put my book down and stare up at the ocean again. Thinking - not seeing. Then I see again. Then I choose to see more.
I look to my right at the pattern of succulents arranged in their concrete planters. Some tall and green and prickly. Others small and black and curvy.
I see cars pass by in the corner of my eye along the road that runs parallel with the coast. Suddenly, I notice that I can see their reflection in the window behind these succulents as the car drives on.
Then I notice there are two window panes and two reflections.
Then I see my car as myself. Twice. And somehow I am surprised. I didn't recognize that I am a part of this world. I am looking AT it, but I am also IN it.
Slowly my eyes drift down, wondering what other details I might be missing.
Scratches and indentations in the concrete take me to the construction site that this once was and the thrill the owners must have felt in their ocean front purchase.
Suddenly, I see two men enter the frame I've created. Both drenched in sweat. One with a ladder and one with a squiggy coming to clean the windows I've been staring into.
How Funny - I think - the many layers of reality.
But I quickly put my book down and stare up at the ocean again. Thinking - not seeing. Then I see again. Then I choose to see more.
I look to my right at the pattern of succulents arranged in their concrete planters. Some tall and green and prickly. Others small and black and curvy.
I see cars pass by in the corner of my eye along the road that runs parallel with the coast. Suddenly, I notice that I can see their reflection in the window behind these succulents as the car drives on.
Then I notice there are two window panes and two reflections.
Then I see my car as myself. Twice. And somehow I am surprised. I didn't recognize that I am a part of this world. I am looking AT it, but I am also IN it.
Slowly my eyes drift down, wondering what other details I might be missing.
Scratches and indentations in the concrete take me to the construction site that this once was and the thrill the owners must have felt in their ocean front purchase.
Suddenly, I see two men enter the frame I've created. Both drenched in sweat. One with a ladder and one with a squiggy coming to clean the windows I've been staring into.
How Funny - I think - the many layers of reality.
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